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Ten years ago at 19, Volpe was just another would-be bedroom producer. I never forced myself to think too hard about what I was doing because that never comes out well. Back in , Volpe had expressed interest in working with singers based on the belief his washed-out, melodic instrumentals could be a fit for more than rappers. An appropriate touch for a debut nearly ten years in the making. Share This Story.{/INSERTKEYS}{/PARAGRAPH} Despite this enthusiastic input, Volpe was unable to finish the song so he brought in MP Williams, a young producer he respects, to help complete his vision. This time around, he created his own sample library during visits to recording studios. It was a really interesting process. Herring delivers one of its most visceral and fascinating performances. Those recordings are spread throughout the album. Instead he suggested an anthem, something that sounds like me. The keyboard is from a Roland Jupiter they had. We recorded the final version together here, including the piano. This and the Twigs demo got me thinking of doing my own album. {PARAGRAPH}{INSERTKEYS}Our editorial content is not influenced by any commissions we receive. She then asked me to choose from different verses and choruses, where it could go. I wanted to explore what I could do besides hip-hop. This time, he had brand new work reflecting different aspects of a growing craft and sensibilities. The song started from the main melody, which he plays. On the instrumental you can hear his breathing being chopped up. When Volpe flew Lil B down to The Ship, it was the first time the pair sat down and talked since they first began working together over the internet nearly eight years before. I just followed the music. I wanted to drag it out, give it a cinematic vibe that goes to different places. I lined up some beats and played along to them in the live room. They were bouncing off each other at a distance with me in the middle. Ran it through guitar pedals and layered it with other elements. All Rights Reserved. After he left B recorded his vocals and then I fleshed the song out and built it up by myself over another couple days. Michael Volpe is standing on a rooftop bench, his clean-shaven head covered by a grey hoodie, hands deep in its pockets, the Manhattan skyline unfolding behind him under a moody grey sky. Credit: Brian Vu. Beat scene kids and electronic music cognoscenti were also hooked, sans raps, thrusting the hopeful beat maker into another creative arena, one where he was the artist. I recorded a lot of samples there too, running around playing with their synths and weird keyboards. At that point Sam decided to re-record his vocals to make them fit better but he got stuck too. No lyrics, just a vibe. The various hardware used on the album is another progression for Volpe, who first made beats using a Yamaha SUโ€” sampler, a Roland digital recorder, and some cumbersome zip drives before discovering Sony ACID Pro, which he uses to this day. Also Watch. The result is a typical Clams Casino instrumental, a cavernous and spacious production that thunders into your eardrums. Each send includes a 'song of the week', 3 'best new artist' profiles and a curated playlist. Today, standing on the roof of The End, a recording studio at the western edge of Greenpoint Avenue, Brooklyn, Volpe still carries himself with the same casual, unassuming air he did then, despite having become an in-demand name with credits on releases by some of the most hyped artists of recent years. With nine different vocalists on 12 tracks, 32 Levels can seem like that at first. Recorded at The Ship studio in L. Together with the sample library he created, this approach lends the album a satisfying cohesiveness. A little compression and distortion to make the drums sound dirty real fast. It felt good as a transition, the album needed it. One of these turned out to be Sam Dew, a Chicago-based singer and songwriter with credits for Wale, Usher, and Skrillex. After nearly ten years, the three collaborated together for the first time. I used their drums and the main synth is a Juno run through reverb and distortion pedals. I was working in the Strongroom studios in London, summer of The whole band turned up and I recorded Joe playing acoustic guitar and singing. During this process he signed to Columbia and decided to put together an official debut album following three self-released instrumental mixtapes. Earlier projects, composed of pre-existing music, had been easier to present. Groove [DRโ€”]. The vibe was always there but it took me eight months to get it where it needed to be. Following the original recording, Ekko returned to Nashville and did the bulk of the production with his band there before Volpe finished the song in NYC. I chopped and treated it like a sample. And then Illangelo, another producer and mixing engineer, added some production too. When I got his version back I knew it needed to be tweaked to fit the album better. I had to make it happen. One of the biggest struggles Volpe faced with 32 Levels was sequencing the songs. I told him to just do his thing, recorded the output and chopped that up. It was a case of experimenting and keeping what works. Sign up for The Complex Newsletter for breaking news, events, and unique stories. I do whatever feels natural and it ends up a mix of different styles of production. I was trying to go back and forth between rap and singing. We could have made it cleaner but I wanted to make sure there was a certain atmosphere to it that creates a balance with the live element Mikky brought. Follow us on Twitter and Instagram. In the end I chose to use it as an interlude. She wrote a few demos over a rough instrumentalโ€”no real lyrics, just some backing and melodies. The Harlem rapper recorded a final take in L. The album is almost half rap and half singing, but not on purpose. The drums are from my iPad and the panning you hear on them came through messing around with a rack-mount, multi-effects unit at home. The writing process for this song involved Kelela and Sam Dew, who offered to record some ideas after Volpe played him the demo. The drums are from The End sessions and the guitar is a sample I found online. With only one and half verses on there, Volpe decided to bring in Lil B and, in the process, achieve another personal milestone.